The article presents the aspects of the final selection of colors in film production based on the emotions caused by the soundtrack of the film. First, the processing of colors, contrast, saturation and white balance of shots in the film was presented. The definition of color grading is also described, i.e. the color changes in the film's views. In the second part of the article, the soundtracks of the film were analyzed, in particular film music and interpreted in terms of stimulating appropriate emotions while watching the film, which were compared with the final color scheme of the film. An attempt was made to define objective measures of the color of the shot, as well as the methodology of examining the mood in the soundtrack to automatically detect the emotions contained therein. The last point of the work was a pilot subjective test, in which the participants of the test were to determine the soundtrack's match to the color of the shot.
Autorzy
Informacje dodatkowe
- Kategoria
- Aktywność konferencyjna
- Typ
- publikacja w wydawnictwie zbiorowym recenzowanym (także w materiałach konferencyjnych)
- Język
- angielski
- Rok wydania
- 2018
